rockcrusher | rivera amplification

rockcrusher | rivera amplification

The RockCrusher is invaluable and unbeatably versatile because you can place it between your amp and speaker cab as a power attenuator, or use it in place of your speaker cabinet as a load box while sending its balanced XLR or unbalanced line out to another amp as a slave, or even send its output to a mixer for recording or live performance. We have designed and built the RockCrusher to be the best and most professional unit available, and here is why: Maintaining the tone is the challenge for all power attentuators. We built into the RockCrusher a reactive load network for proper speaker-amplifier interaction. Rather than a purely resistive load like many of the other power attenuators on the market, the Rock Crusher ensures that the amplifier and speaker see each other in a proper relationship of impedance and inductive/capacitive reactance. This translates to a superior tone, regardless of level. To enhance tonal balance, warmth, and shimmer, there is an Edge and Warm switches that put you in total control of the final output.

In addition to providing superior tone, impedance matching is critical for your tube amps health and longevity. We gave the RockCrusher an 8/16-ohm selector switch so you can use either value to accurately match your cabinets and amplifiers. We also built in features that ensure the Rock Crusher is easy to use both onstage and in the studio. For bypass on the fly, which lets you use the amp with a speaker cabinet when full output level is desired, we included a front-panel full bypass switch that removes the load entirely. When low speaker volume is desired, there is a Studio position of the Attenuator Level Selector that enables the Studio Level control to adjust from low to quiet outputperfect for home, project, and studio recording. Balanced XLR and unbalanced phone jacks with a convenient front-panel level control allow interfacing with practically any audio equipment. Two Speaker jacks allow easy connection with up to two speaker enclosures. Bullet-proof construction, a standard feature of Rivera equipment, is also engineered into the Rock Crusher: Within the 16-gauge welded steel chassis of the RockCrusher, heavy-duty and rugged industrial-grade components used throughout, designed to give you years of reliable, cool-running service. In addition, both sides of the RockCrusher chassis facilitate mounting rack ears or other brackets for professional road case installation.

rockcrusher recording | rivera amplification

rockcrusher recording | rivera amplification

If you need to record your favorite tube amp direct, the Rockcrusher Recording is for you! This needed tone tool provides a super safe load for your favorite tube amp and gives you the most powerful all analog speaker emulator. The 11 bands of EQ chosen from 75hz to 4k is where most sought after guitar speakers are voiced. With these tuned 11 band of EQ, youll be able to mimic most speaker and mic combinations and then make sound even better!! Other analog cabinet simulators usually have a fixed tone with shades of grey tone controls. Theres a 3 position Pad switch to control the input level which maximizes the headroom of the Equalizer. The Level meter allows you to monitor either the power input or the line output. Each tone control has a red light to be able to quickly see your shape on the darkest stages. You can also completely bypass the EQ section with the flip of a switch.

Not only can you use the Rockcrusher recording as a load box and cab emulator, you can also use its power attenuation section just like the standard RockCrusher. The Rockcrusher has quickly become the most recognized transparent power attenuator and here is why: Maintaining the natural amp tone is the challenge for all power attentuators. However, we built into the RockCrusher a reactive load network for proper speaker-amplifier interaction. Rather than a purely resistive load like many of the other power attenuators on the market, the Rock Crusher ensures that the amplifier and speaker see each other in a proper relationship of impedance and inductive/capacitive reactance. This translates to a superior tone, regardless of level. To enhance tonal balance, warmth, and shimmer, at ultra low volumes, there is an Edge and Warm switches that put you in total control of the final output.

In addition to providing superior tone, impedance matching is critical for your tube amps health and longevity. We gave the RockCrusher an 8/16-ohm selector switch so you can use either value to accurately match your cabinets and amplifiers. Massive thermal capacity with convection cooling allows it to handle 120watts of Tube power with ease.

We also built in features that ensure the Rock Crusher is easy to use both onstage and in the studio. For bypass on the fly, which lets you use the amp with a speaker cabinet when full output level is desired, we included a front-panel full bypass switch that removes the load entirely. When low speaker volume is desired, there is a Studio position of the Attenuator Level Selector that enables the Studio Level control to adjust from lowPower Attenuator, Load Box and Speaker Emulator

If you need to record your favorite tube amp direct, the Rockcrusher Recording is for you! This needed tone tool provides a super safe load for your favorite tube amp and gives you the most powerful all analog speaker emulator. The 11 bands of EQ chosen from 75hz to 4k is where most sought after guitar speakers are voiced. With these tuned 11 band of EQ, youll be able to mimic most speaker and mic combinations and then make sound even better!! Other analog cabinet simulators usually have a fixed tone with shades of grey tone controls. Theres a 3 position Pad switch to control the input level which maximizes the headroom of the Equalizer. The Level meter allows you to monitor either the power input or the line output. Each tone control has a red light to be able to quickly see your shape on the darkest stages. You can also completely bypass the EQ section with the flip of a switch.

Not only can you use the Rockcrusher recording as a load box and cab emulator, you can also use its power attenuation section just like the standard RockCrusher. The Rockcrusher has quickly become the most recognized transparent power attenuator and here is why: Maintaining the natural amp tone is the challenge for all power attentuators. However, we built into the RockCrusher a reactive load network for proper speaker-amplifier interaction. Rather than a purely resistive load like many of the other power attenuators on the market, the Rock Crusher ensures that the amplifier and speaker see each other in a proper relationship of impedance and inductive/capacitive reactance. This translates to a superior tone, regardless of level. To enhance tonal balance, warmth, and shimmer, at ultra low volumes, there is an Edge and Warm switches that put you in total control of the final output.

In addition to providing superior tone, impedance matching is critical for your tube amps health and longevity. We gave the RockCrusher an 8/16-ohm selector switch so you can use either value to accurately match your cabinets and amplifiers. Massive thermal capacity with convection cooling allows it to handle 120watts of Tube power with ease.

We also built in features that ensure the Rock Crusher is easy to use both onstage and in the studio. For bypass on the fly, which lets you use the amp with a speaker cabinet when full output level is desired, we included a front-panel full bypass switch that removes the load entirely. When low speaker volume is desired, there is a Studio position of the Attenuator Level Selector that enables the Studio Level control to adjust from low to quiet outputperfect for home, project, and studio recording.

Balanced XLR and unbalanced phone jacks with a convenient front-panel level control allow interfacing with practically any audio equipment. Two Speaker jacks allow easy connection with up to two speaker enclosures.

Bullet-proof construction, a standard feature of Rivera equipment, is also engineered into the Rock Crusher: Within the 16-gauge welded steel chassis of the RockCrusher, heavy-duty and rugged industrial-grade components used throughout, designed to give you years of reliable, cool-running service.

rivera rockcrusher thomann united states

rivera rockcrusher thomann united states

Thomann is the largest online and mail order retailer for musical instruments, light and sound equipment worldwide, having about 10m customers in 120 countries and 80,000 products on offer. We are musicians ourselves and share your passion for making it. As a company, we have a single objective: making you, our customer, happy.

We have a wide variety of pages giving information and enabling you to contact us before and after your purchase. Alternatively, please feel free to use our accounts on social media such as Facebook or Twitter to get in touch.

AKAI Professional MPC One; Music Production Center; limited retro edition; works standalone (without computer) and as controller for MPC Software (included); full-color 7 inch multi-touch display; 16 velocity-sensitive RGB pads; 2GB RAM; 4GB on-board memory (expandable via SD Card); 5

Harley Benton Aeolus Frost Flame; Pro Series; Semi-Hollow Electric Guitar; Body: Mahogany; Top: Flame AAA Maple Veneer; Neck: Roasted Flame Maple with Satin Finish; Truss Rod with Spoke Wheel Access; Fingerboard: Roasted Maple; Neck Mount: Set; Neck Shape: C; Inlays:

LD Systems Maui 5 Go 100 B, compact battery powered column Plug and Play column System for Monitor and PA application, 3200 mAh Version, up to 12 hours of battery operation, integrated Li-Ion battery, controlled via LD LECC DSP with

USB DAW Controller Plug-in controller with convenient mixer layout and legendary SSL workflow, 1:1 Hardware control for the included SSL plug-ins Channel Strip 2 and Bus Compressor 2, Visual feedback via LED rings on the knobs, Display for showing

USB Copy Protection Key For software licences protected by iLok licence management, Enables serial use of the stored licences at different workstations, Depending on the size of the licences used, up to 1500 licences can be stored, Compact design

Doughty T58031 Slim Line, black Swivel Coupler black Aluminium with one joint, 3 cm wide, 360 rotatable, loadable up to 750 kg, weight 0.89 kg, TV type approved.

Ibanez TCY10LE-BK, lefthand electroacoustic guitar, sapele body, spruce top, Purple Heart fretboard & top binding, mahogany neck, Purple Heart bridge, AS smooth tuners, cosmo hardware, Ibanez under saddle pickup, Ibanez AEQ2T electronic with integrated tuner, color: black.

Digital 2.4 GHz radio system with two transmitters and one receiver. The compact size is perfect for mobile applications such as interviews, micro-video recording and Vlogging, Transmitter can be used with integrated microphone or external microphone, Distortion-free signal

Fender Squier Affinity Telecaster Deluxe MN Black; Telecaster Electric Guitar; Affinity Series; Body: Poplar; Neck: Maple; Fingerboard: Maple; Neck Mount: Bolt-On; Neck Shape: C; Inlays: Black Dots; 21 Medium Jumbo Frets; Nut: synthetic Bone; Nut Width: 42 mm (1,65"); Scale:

Doughty T57204 Clamp with Pink Eye SWL 750Kg Black; A standard Doughty Clamp fitted with a Pink Eye. The Pink Eye is an articulated M12 Eye Nut with a SWL of 750Kg. It is manufactured from high tensile forged materials

Editors Keys Backlit Keyboard AVID Media Composer DE for PC; LED backlit Computer Keyboard for PC with printed shortcuts for AVID Media Composer; German Keyboard Layout (QWERTZ); USB-Connection

rivera rockcrusher power attenuator & load box gold 8/16ohm 120w > accessories | chicago music exchange

rivera rockcrusher power attenuator & load box gold 8/16ohm 120w > accessories | chicago music exchange

Payment Terms - Orders Internet orders may be paid for using the following methods: VISA, MasterCard, American Express, Discover, and PayPal. For phone or mail orders you may pay money orders and cashier's checks by mail. Just call us at 773-525-7773 to place your order. All non-credit-card orders are subject to a 10-business-day hold. We do not accept international credit card or PayPal payments from international accounts. For international security reasons, please call the store to arrange a Bank Wire: +01-773-525-7773.

Shipping Charges - Taxes and Title Separate charges for shipping and handling will be shown on your order form. As a security precaution, initial orders and orders shipping to alternate addresses may be held for extended verification. We reserve the right to make partial shipments, which will not relieve you of your obligation to pay for the remaining deliveries. All items purchased from Chicago Music Exchange are made pursuant to a shipment contract. This means that the risk of loss and title for such items passes to you upon our delivery to the carrier. The published rates are for US domestic shipping only. Contact us directly if you wish to place an international order. For more information on our shipping policies, including rates, delivery times, and delays, please visit our website at chicagomusicexchange or call us at: 773-525-7773. If applicable, a separate charge for taxes will be shown on the invoice. We are required to collect sales tax on all orders shipped to Illinois.

3-Day / 15-day Return Policy If you are not completely satisfied with any product, return it for a full refund of the product purchase price, full credit, or exchange of your choice. We give you 3 days from the shipping date on Vintage instruments, and 15 days on New instruments. Credit card returns are issued a credit for purchase price. Refunds are made for product value only, excluding shipping and handling charges. New, Unopened items: You may return most NEW, untouched, unopened items within 15 days of delivery for a full refund. if the return is a result of our error (you received an incorrect or defective item, etc.) we'll also pay the return shipping costs. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. Vintage, Used items: We have to evaluate vintage and used guitars, amps, and other items on a case by case basis. We spend a lot of time with you and the item before your purchase to try to avoid any surprises after your purchase. AmEx credit cards: Note that if your order was paid using an AmEx card we may pass on a 3.5% fee of the purchase price to process your refund. You should expect to receive your refund within four weeks of giving your package to the return shipper, however, we strive to issue your refund sooner. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). Send your return to: Chicago Music Exchange 3316 N Lincoln Ave Chicago, IL 60657 The following items are returnable only if defective OR unopened or unused: strings, harmonicas, microphones, cleaners, polishes, and polishing cloths. Software/soundware, cassettes, CDs, DVDs, and videos may be returned for credit only if they are in their original, sealed packaging. If defective, these items will only be exchanged for the same product. For complete details on our guarantees, shipping, and return policies, please contact our Customer Service Department at 773-525-7773; fax us at 773-525-2775; visit our website at www.chicagomusicexchange.com, or write us at Chicago Music Exchange, 3316 N. Lincoln Ave, Chicago, IL 60657.

tone tips: the lowdown on load boxes, attenuators, and reamps - premier guitar

tone tips: the lowdown on load boxes, attenuators, and reamps - premier guitar

So you've found your dream ampkind of. It sounds like a million bucks when it's cranked to its sweet spot, but everyone always tells you to turn it down. And you really want to capture your amp's glorious tone when recording, but you don't want to invest in microphones and preamps, and you don't have an acoustically perfect space to track either. It's an old problem: Guitar amps can be unruly beasts, hard to tame and difficult to mic live and in the studio. Luckily for guitarists, there's a bevy of devices designed to control, capture, and sculpt the tone of any amp.

Load boxes. When using a tube amp, a speaker is usually connected. The speaker dissipates energy from the amp as sound. But what if you want to use your tube amp with no speaker(s) connected, perhaps for late-night silent recording or practice?

You must always have a load of some sort connected to your speaker-out jack, or you can severely damage the amp. This is where load boxes come in: They safely load your guitar amp and allow you to use it in numerous ways with no speakers. Examples of load boxes include the Suhr Reactive Load, Koch Dummybox Studio/PA, and the Two Notes Torpedo Live.

Think of a load box as the most basic form of attenuator, one that lowers your amp's output to line level. Also called dummy loads," such devices let you take that line out into a computer-recording interface so you can capture and process your amp's sound.

Because guitar speakers are an important component of guitar tone, you usually want to add speaker simulation. Some load boxes have onboard speaker simulations, but if not, you can use an analog speaker simulator like the Palmer PDI09, or a software plug-in that hosts impulse responses. (Such impulse responses digitally mimic the sounds various speaker/microphone combinations.) There are large libraries of IRs on the market, and you can find many more free online. Good IRs sound startlingly close to the real miked cabs.

A load box can also send the loaded-down line-level amp signal to a second power amp, giving you total control over your tone and volume. Crank your amp to the sweet spot, knock it down to line level, add effects if desired, and then reamp" the whole thing to any volume through a power amp and cab of your choice.

Reamp devices. Some devices let you load down an amp and then reamp it with a second power ampall in one unit. The Bad Cat Unleash, Fryette Power Station, and Two Notes Torpedo Reload are all good examples. The Unleash and Torpedo Reload perform the reamp function via solid-state power amps, while the Fryette unit features 50 watts of all-tube power. All three units are designed for sonic purity and tonal integrity. But anytime you such introduce devices into your signal chain, tone and feel changes can occur, so try before you buy.

Attenuators. Attenuators passively reduce your amp's volume by absorbing some of the amp's output and passing the rest on to the speaker cabinet. Some attenuators also function as load boxes and feature a output that sends a line-level signal to a recording interface or another power amp for reamping. Examples include the THD Hotplate, the Jim Kelley Power Attenuator, and the Rivera RockCrusher. The RockCrusher load box/attenuator even has a sophisticated analog speaker-simulator with line out, and a graphic EQ to fine-tune the simulated speaker's tonal response.

Reactive versus resistive. When a speakerlet's say in an open-back 1x12 cabis connected to a tube amp, it has a unique relationship with the amp. Think of it as a back-and-forth conversation between the amp and speaker/cab. Your particular amp, cab, speaker, and what you play influence this dialog. This is called the impedance curve, and it's a measurable variable. Take the same speaker and load it into a closed-back 4x12 cab, and that impedance curve changes. The amp reacts differently than it did with the 1x12. So multiple things affect the tone and feel: amp, cabinet, speakers, and impedance curve.

A reactive load or reactive attenuator lowers or completely loads down an amp's output while maintaining the impedance curve, making the amp feel, sound, and respond similarly to when it's connected directly to a cabinet. Resistive attenuators and loads eliminate that impedance curve. As a result, the tone and feel of the whole rig changes. Most players find that as attenuation increases on a resistive attenuator, the tone is affected, usually becoming more compressed and dark. Transparency is a big plus for me, so I'm a fan of reactive attenuators.

rivera rockcrusher recording power attenuator, load box and speaker emulator

rivera rockcrusher recording power attenuator, load box and speaker emulator

Speaker Emulator and Load Box If you need to record your favorite tube amp direct, the Rockcrusher Recording is for you! This needed tone tool provides a super safe load for your favorite tube amp and gives you the most powerful all analog speaker emulator. The 11 bands of EQ chosen from 75hz to 4k is where most sought after guitar speakers are voiced. With these tuned 11 band of EQ, you'll be able to mimic most speaker and mic combinations and then make sound even better!! Other analog cabinet simulators usually have a fixed tone with "shades of grey" tone controls. There's a 3 position Pad switch to control the input level which maximizes the headroom of the Equalizer. The Level meter allows you to monitor either the power input or the line output. Each tone control has a red light to be able to quickly see your shape on the darkest stages. You can also completely bypass the EQ section with the flip of a switch. Rivera will be continually graphing speakers and mic combinations and posting results here. Power Attenuator Not only can you use the Rockcrusher recording as a load box and cab emulator, you can also use it's power attenuation section just like the standard RockCrusher. The Rockcrusher has quickly become the most recognized transparent power attenuator and here is why: Maintaining the natural amp tone is the challenge for all power attentuators. However, we built into the RockCrusher a reactive load network for proper speaker-amplifier interaction. Rather than a purely resistive load like many of the other power attenuators on the market, the Rock Crusher ensures that the amplifier and speaker see each other in a proper relationship of impedance and inductive/capacitive reactance. This translates to a superior tone, regardless of level. To enhance tonal balance, warmth, and shimmer, at ultra low volumes, there is an Edge and Warm switches that put you in total control of the final output. In addition to providing superior tone, impedance matching is critical for your tube amp's health and longevity. We gave the RockCrusher an 8/16-ohm selector switch so you can use either value to accurately match your cabinets and amplifiers. Massive thermal capacity with convection cooling allows it to handle 120watts of Tube power with ease. We also built in features that ensure the Rock Crusher is easy to use both onstage and in the studio. For ?bypass on the fly,? which lets you use the amp with a speaker cabinet when full output level is desired, we included a front-panel full bypass switch that removes the load entirely. When low speaker volume is desired, there is a Studio position of the Attenuator Level Selector that enables the Studio Level control to adjust from low to quiet output--perfect for home, project, and studio recording. Balanced XLR and unbalanced ?" phone jacks with a convenient front-panel level control allow interfacing with practically any audio equipment. Two Speaker jacks allow easy connection with up to two speaker enclosures. Bullet-proof construction, a standard feature of Rivera equipment, is also engineered into the Rock Crusher: Within the 16-gauge welded steel chassis of the RockCrusher, heavy-duty and rugged industrial-grade components used throughout, designed to give you years of reliable, cool-running service. Features * Superior natural tone balance at any level * Selectable 8- and 16-ohm capability * Reactive internal network for true amplifier/load interaction * Immense thermal capacity ensures cool running and long life * Tight impedance tolerances * XLR and unbalanced line outputs with level control * Low- and high-frequency equalization selection * Load box and attenuator function up to 120W RMS capacity * Enormous and robust internal components * Full bypass capability with no insertion loss [li]11 Band EQ Speaker Emulator[li]

rivera rockcrusher power attenuator review. what users say? - home studio expert

rivera rockcrusher power attenuator review. what users say? - home studio expert

As we all know that a perfect balance of v0lume with the kind of lyrics will make the music even more better. Volume also helps to pump up every performance . And to make everything perfect, the attenuators comes into the picture. The attenuator has made it possible to cut into an amp or even to change the circuit to fix the master volume.

The Rivera Rock Crusher lets you turn up the tube amp to the sweetest tonal spot it can attain. By keeping it in the middle of the speaker cabinet and amp, one can easily crank up the ton of the amp even when the volume is kept down.

It also keeps a balanced relativity between impedance and the reactance (inductive/capacitive). Talking in terms of the guitar, it helps in pushing the amp to its upper limit, while doing so it helps the tubes attain their tonal potential even while keeping the volume low.

The Rivera Rock Crusher has a power handling capacity of about 120W RMS, and an impedance of 8/16 ohms. The input channelizes in the form of 1*1/4 of the amplifier; and the output is in the unit of 2*1/4 measured from the speaker output, and from the line out in 1*XLR, 1*1/4.

This amazing product is remarkably known for its versatility as it can be used as a power attenuator and even as a load box while sending out the balanced XLR or the unbalanced line out to the other amp as a slave; and also send the output to a mixer for the purpose of recording and even for live.

The product is build into a reactive load of networks which helps achieve proper speaker to amplifier interaction. The counterparts available out in the market which have purely resistive loads; the rivera rock crusher comes with a surety that both the amplifier and the speaker sees each other in a perfect relation of both the impedance and the inductive/capacitive reactance.

This further helps translate to a much superior tone, regardless of the level. Also, it helps achieve and enhance the tonal balance, shimmer and warmth, and in order to achieve this; the product comes with edge and warm switches which helps one have a total control on the final output.

In addition to all of this, the product provides a much superior tone and impedance which matches perfectly with the longevity and the good health of the amp. Also, the 8/16 ohm selector of the crusher can be easily switched so as to attain an accurate match with the cabinets and amplifier.

As well the inbuilt features makes it user friendly both onstage and in the studios as well. One can even use the amp along with a speaker cabinet even when a full output level is required; and in order to achieve so, the crusher is imbibed with a front panel bypass switch which helps remove the entire load.

In order to achieve a low speaker volume, the studio position of the selector attenuator level enables the control level of the studio to help adjust from a low to a quiet output, which is ideal for project, home and also studio recordings.

The balanced XLR and the unbalanced jacks of the phone allow interfacing with every audio equipment. Imbibed with two speaker jack the crusher provides an easy connection with up o two speaker enclosures. A bullet proof construction is one of the USP of the Rivera equipment.

A heavy- duty and the rugged industrial grade components are used to make the make the product much reliable, and one of the cool-running service; and the side chassis of the Rock Crusher facilitates the mounting of the ear racks and other brackets for a much professional installation.

2.Consistency at its best: Used along with Egnater 65 head, the user easily sets off the effects pedal parameters to match up with the amp without any gig volumes or blast. It also helps keep the tone perfect consistency. The great tube tones can be enjoyed well in quite settings and the user easily knows when they crank up the volume, the amp and the effects pedal starts to sound the same and consistent.

3.The perfect topping to the tone: This specially altered boutique amp easily breaks up and provide a mesmerizing perfect tone. This 20 watt amp is loud enough to provide you with the amazing jazz. Also, it attains the volume to the studio level without even compromising on the great tone. Built perfectly for lifetime use, it is versatile and pretty user friendly and also a true value for money.

4.The phenomenal piece: A perfect solution to the amp which solves the problem of loudness even at the lowest gain settings. It makes it possible for the user to even crank the boogie, without even bothering the neighbors. A onetime investment; it is totally worth and is imbibed with amazing studio applications.

5.The Perfect tone for every Occasion: The tube amp coordinates with the load of the impedance which is put on the amps output by the speaker cabinet. The hooking the direct output of the amp to a recording device, the desired tone wont be achieved. The Rivera Rock Crusher interacts with all the amp tubes and thus provides the articulate desired tone. The user can thus harness all the tones, which are designed to put out, thus eventually getting the sound of the pedals and amp; and all that without even worrying about the volume. When onstage, it lets the user achieve better monitoring situation even at decreased volume of the stage. In a nutshell, it provides a no compromise guitar tone, even without bleeding the sound into the other mics.

The entire task of attenuation is no childs play. It requires a lot of serious work and perfection. Apart from the factor which is outside of the tone, the major consideration is about retaining the feel, response and touch that every individual loves at a higher volume.

The Rivera RockCrusher did a commendable job, by providing and retaining with much reactive load. The durability and the amazing look of the product lets save the amps from just being chopped off with all the unnecessary modifications.

It can safely handle up to 100 watt tube of amps with much headroom to be spared. It is the perfect product to help you out in every occasion and lets you work with your amp, in any and every situation.

There are many great ways to help with sound absorption in your home recording studio, and acoustic foam is a great option. Unfortunately, sound-absorbing materials, particularly acoustic foam, tend...

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